Get ready to feel the rhythm of Fuji music like never before! Adekunle Gold’s ‘Many People’ video isn’t just a song—it’s a vibrant love letter to Nigeria’s rich Fuji culture. Released on November 11, 2025, this music video is a standout piece from his sixth studio album, Fuji, and it’s already sparking conversations about tradition, innovation, and the power of music to bridge generations. But here’s where it gets controversial: while some see it as a seamless blend of old and new, others argue it’s a bold reinterpretation that might leave purists divided. Let’s dive in.
Adekunle Gold has masterfully reignited interest in Fuji music with Many People, a track that effortlessly merges the soulful rhythms of traditional Yoruba sound with the modern beats of Afrobeats. Since the album’s release, fans have been praising his ability to honor his roots while keeping the music fresh and accessible. But this isn’t just about nostalgia—it’s about evolution. The song borrows a line from Yinka Ayefele’s 2003 track Mi O Mo J’orin Lo, originally a poignant reflection on Ayefele’s personal struggles after a paralyzing accident. Adekunle Gold transforms this line into a triumphant anthem of success and gratitude, singing, ‘Many many many people say eee eja nla no be small fish o,’ a phrase dripping with pride and confidence. Is this a respectful homage or a daring reinterpretation? You decide.
And this is the part most people miss: Many People isn’t just a remix—it’s a cultural bridge. Some fans speculate that Ayefele’s original inspiration came from Fuji legend Adewale Ayuba’s 1995 track Fuji Music, which features similar lyrical themes. By connecting these dots, Adekunle Gold links two pivotal generations of Fuji music, creating a dialogue between the past and the present.
The video itself, directed by Nouvelle Films Production, is a visual feast. Clocking in at three minutes and forty seconds, it’s packed with colorful scenes, vintage outfits, and energetic performances. Iconic figures like Ayefele and Ayuba share the screen with younger stars like Big Brother Naija Season 10 winner Imisi and Adekunle Gold’s lookalike Mensah, infusing the video with both nostalgia and youthful vibrancy. The opening scene of Ayefele in his wheelchair, passionately singing his classic line, is nothing short of electrifying. Adekunle Gold’s appearance in an Ankara jacket, Panama hat, and dark glasses pays homage to the legendary Fatai Rolling Dollar, blending old-school style with contemporary flair.
At the 2:01 mark, Adewale Ayuba joins the fray, instantly elevating the tempo with his signature lively performance. As he sings, ‘Ori mi wu o, ma korin gan,’ dancers swirl around them, turning the scene into a full-blown Fuji celebration. The duet between Adekunle Gold and Ayuba feels seamless, a testament to the mutual respect between two artists from different eras united by their love for Fuji music. Every frame is clean, joyful, and authentically cultural, with talking drums, vibrant lights, and choreography that complements the rhythm without feeling overproduced.
But here’s the bigger picture: Many People is more than a music video—it’s a statement. By bringing together Ayefele and Ayuba, Adekunle Gold proves that Fuji music isn’t just a relic of the past; it’s a living, breathing genre that continues to inspire new generations. It’s a heartfelt tribute to the legends who kept the tradition alive and a reminder that music thrives when it respects its history while embracing innovation. Is Adekunle Gold’s approach the future of Fuji music, or is he treading on sacred ground? Share your thoughts in the comments.
In the end, Adekunle Gold’s Many People video is a powerful reminder that music is timeless when it celebrates culture with pride and authenticity. It’s not just a song—it’s a movement. So, what’s your take? Is this the Fuji revival we’ve been waiting for, or is it a step too far? Let the debate begin!